nicholas payton
“i love muuuusic” the mighty O’Jays.
i grew up in a home where music was played, a lot. my dad loved music and it was a theme throughout my childhood.
my favorite group (outside of the Jackson’s) are the O’Jays. their introduction, from my dad. he played any and everything from the Stylistics to Pete Belasco.
i remember moving back to california from atlanta in late 1993 and all i wanted to listen to was “jazz”. the local station was KBLX and i loved it.
now, i’m a b-girl, Hip-Hop lover through and through, HOWEVER, “jazz” was something spiritual to and for me. back then, i didn’t have the words to describe it. it was otherworldly.

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“NP as i call him, gave me the pleasure of “inner-viewing” him for the conversation peace. get ready to see a side of him you’ve never seen before.”
i also remember my sister telling me, “you’re old listening to that music” 🤣 she was only 13 at the time.
it’s in my blood; my maternal grandfather was a saxophone player. it’s been said, he and Miles Davis played together as teenagers. baba would be in the kitchen, smoking his cigars, and vibing out to his “music”. i also remember sitting in the front seat of his car with him and how he would move his hand when the music moved him.
when i moved back to St. Louis in 1996, i saw how entranced he would be. anytime my mom and grandmother would leave the house, baba would put in one of his vhs tapes and watch the greats play. i could hear him tapping his foot and laughing, just having a grand ole time. it was him and “jazz” going on an adventure.
i did the same thing in my house. friday nights when i was home, it was me, candles and my “jazz”. i loved the genre so much, my basement was called, “the jazz room”. i had posters of Coltrane, Davis and Rollins. i even framed liner notes of Davis and Coltrane and i had black and silver figurines that were a trumpet and sax player.
after my 40th new year i wrote out what i intended to experience that year, one of the things was to have my writings published, have my own radio show and be on tv. exactly a month later, i was asked to write for iRockJazz, an online webzine and i was the first to interview live for their live sessions. it was a dream come true. oh, and, i did have my own radio show on blogtalk radio.
fast forward to 2017, i stumbled across a musician and his record “afro – caribbean mixtape”. oh my word. i was in LOVE. i didn’t look at the artist’s name until probably a week or two of listening to the album on repeat.
his name – Nicholas Payton. i played that album for at least 2 months straight. about 4 years later, i began “following” him on IG and within a couple of weeks, we’d be conversing via inbox and later became “besties”. i finally met him in person in january of this year. talk about full circle experience.
NP as i call him, gave me the pleasure of “inner-viewing” him for the conversation peace. get ready to see a side of him you’ve never seen before.
ABOUT NP
challenging traditional labels, payton coined the term “black american music” (bam) to more accurately represent the genre’s roots and cultural significance, advocating for a broader recognition of its heritage.
ABOUT NP
nicholas payton began playing the trumpet at age four and was performing professionally by ten. by twelve, he was touring internationally with the all-star jazz band, showcasing his prodigious talent from a young age.
ABOUT NP
in 1997, payton won a grammy award for best jazz instrumental solo for his performance on the album doc cheatham & nicholas payton, a collaboration with the legendary trumpeter doc cheatham
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